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Brown explores relationships between sound and theatre, focusing on sound's interdependence and interaction with human performance and drama. Suggesting different ways in which sound may be interpreted to create meaning, it includes key writings on sound design, as well as perspectives from beyond the discipline.
- Sales Rank: #1840199 in Books
- Brand: Brown, Ross
- Published on: 2010-01-15
- Released on: 2010-01-05
- Original language: English
- Number of items: 1
- Dimensions: 9.23" h x .57" w x 6.06" l, .85 pounds
- Binding: Paperback
- 256 pages
Review
'Ross Brown approaches 'a reader' in a refreshing and engaging way - he provides a compelling narrative and argument, interspersing and amplifying them with extracts from aa range of key texts.' - Norie Neumark, Senses & Society 'There is no other book that considers equally and inseparably the theory, philosophy and practice of stage sound. A rigorously controlled piece of research of great originality and of terrific significance to the discipline.' - Chris Baugh, Professor of Performance and Technology, University of Leeds, UK 'A valuable assemblage of historical perspectives and current issues in Sound Design and perception...provocative in many ways.' - David Budries, Freelance Sound Designer; Professor of Sound Design, Yale University, USA
About the Author
ROSS BROWN is Dean of Studies and Reader in Sound at the Central School of Speech and Drama, University of London. He is Convenor of the International Theatre Sound Colloquium. His professional career as a theatre composer, musician and sound designer includes productions for BBC Radio Drama, Shared Experience, RSC, The Almeida, BAC, The Gate, The Royal Court, The Shadow Syndicate, Glasgow Citizens', Lancaster Duke's, Derby Playhouse, Red Shift and many other prestigious companies in the commercial and subsidised sectors.
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